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Factors Influencing Practice of Birth Preparedness and Complications Readiness among Primigravidae attending Adeoyo Maternity Teaching Hospital Ibadan, Oyo State
(Lead City University, Ibadan, 2025-12) Olanike Fehintola ADEBIMPE
Maternal mortality remains a pressing public health concern globally, with sub- Saharan Africa contributing about two-thirds of all maternal deaths. In Nigeria, maternal mortality continues to be unacceptably high despite numerous interventions. One key strategy in reducing these preventable deaths is Birth Preparedness and Complication Readiness (BPCR), which ensures that pregnant women are adequately prepared for safe delivery and emergency situations. However, evidence suggests that primigravidae may have poor knowledge and practice of BPCR due to inexperience. Hence, this study assessed the factors influencing the practice of BPCR among primigravidae attending Adeoyo Maternity Teaching Hospital (AMTH), Ibadan, Oyo State, Nigeria. The study adopted a descriptive survey, using a self-developed validated questionnaire with Cronbach alpha score 0.832. A total of 183 primigravid women attending antenatal clinic at AMTH were selected through random sampling. Data were analyzed, employing descriptive and inferential statistics including Chi- square and logistic regression at a significance level of p ≤ 0.05. Results revealed that the mean age of respondents was 28.85 ± 4.93 years, majority were married 179(97.8%). Less than half 88(48.1%) had tertiary education, and 153(83.6%) are employed. Furthermore, 97(53.1%) demonstrated good knowledge of BPCR, 124(68.3%) showed good knowledge of danger signs, and 103(56.2%) practiced adequate BPCR. Meanwhile, partner support 169(92.4%), cultural belief 83(45.4%), and education 153(83.6%) were strong factors influencing their practices of BPCR. Inferential analysis indicated that social support (p = 0.001), knowledge of danger signs (p = 0.001) have significant association with practice of Birth Preparedness and Complication Readiness. In conclusion, knowledge and practice of BPCR are positively linked, and strong social support further strengthens readiness significantly. Strengthening antenatal counseling, improving community health education, and deliberate partner involvement are recommended to enhance preparedness for BPCR among primigravidae. Keywords: Birth Preparedness, Complication Readiness, Primigravidae, Maternal Health, Antenatal Care. Word Count: 291
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Why the Bed Still Creaks: A Review of Sex and Sexuality in Toni Kan's Nights of the Creaking Bed
(International Journal of Contemporary Research in Humanities, 2024) Jimmy AKOH, PhD; Kingsley Onyekachi ASORONYE; Elizabeth Adeola, SAM-AYOOLA
The newly experimented stylistic exploration in contemporary Nigerian literature is in the incorporation of sex and sexuality. Before now, writers stylized literary gestures represented matters with sexual connotations. However, recently, prose is rapidly fading away from this established modest order. In Toni Kan’s Nights of the Creaking Bed, it is observed that sexually related taboos are visible. Issues like love making, abortion, gay and lesbian love among others are receiving received colourful attention. In the whirlwind of globalization, the two genders, especially the African female gender, are beginning to own up to their sexual needs against the socio-cultural parameters of sexual correctness set by most cultures of Africa. This study examines Toni Kan’s selected work using postmodernist approach which exacerbates the depletion of socio-cultural attachment in African societies. It essentially depicts how Nigerian writers capture some alien values on sex and sexuality within the society which are products of socio-cultural, political and historic experiences that are central to the cognitive formation of individual characters in the society; thereby revealing a new trend known as pornotraiture – a graphical portrayal of sex and sexual narratives. It concludes that literature remains useful in the subject of sex education which campaigns for equal expression of sexualities and can help dismantle socially stigmatised sexual patterns especially in this globalized world that accommodates freedom on alternative sexual orientations. Keywords: Sex, Pornotraiture, Postmodernism, Socio-cultural, Women and Sexuality
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Liturgical Dance in Nigeria: Babalola Abiodun and Victory Ashien Works in Focus
(International Journal of Contemporary Research in Humanities, 2024) Samson AKAPO; Progress ADETULA
Liturgical dance has its roots in early Christian worship practices. It reached a high point in the medieval church, when a number of religious orders arose with a specific emphasis on prayer and meditation, and it was performed primarily by religious professionals. In many churches and in many liturgical dance groups today, the emphasis is on performance in service or in festivals. The performance groups many times feature extensive and complicated choreography that showcases the style of the choreographer and the skills of the dancers. But what is liturgical dance supposed to be? What are the specific nature and forms of liturgical performances in Nigeria? Adopting the Religion Theory of Ninian Smart and Performance Analysis, this research focuses on the process of choreographing/creating liturgical dances, the impact of other elements of performance on liturgical dance creation, spiritual impact on liturgical dance and fully on the performance aspect of liturgical dance. The performance analysis is based on the interviews conducted, and having analysed two liturgical performance videos and conducting interviews on two liturgical choreographers, namely Victory Ashien of Spirit of David, Nigeria and Babalola Abiodun of Praise Dance Academy. Based on the above, this research concludes that liturgical dance in Nigeria is on the rise and there is a significant interest from different groups and churches. Besides, these liturgical dance performances embrace theatrical dance performance elements in communicating and interpreting stories. Keywords: Liturgical Dance, Performance, Choreography Religion, Worship
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Contemporary Trends in Fashion and Costume Design on Screen and Stage: Case Study of Blank Panther and Saro the Musical
(International Journal of Contemporary Research in Humanities, 2024) Bukunmi Deborah AJITONI
The intersection of fashion and costume design has become increasingly significant in contemporary screen and stage productions. This paper explores the evolving trends and influences that shape costume design, examining how fashion trends are integrated into narrative and visual storytelling of films and theatrical performances. By analysing the between fashion designers and costume designers, this study highlights the processes that bring authenticity and modernity to character portrayal. It delves into the impact of cultural shifts, technological advancements, and social movements on costume design, showcasing how these factors contribute to the dynamic landscape of contemporary screen and stage. Through Blank Panther and Saro the Musical and critical analysis, this paper aims to provide a comprehensive understanding of how fashion and costume design intersect, influencing audience perception and enhancing the overall aesthetic of productions. By shedding light on this intersection, the study seeks to underscore the importance of costume design in reflecting and shaping contemporary culture. Keywords: Contemporary Trends, Fashion Influence, Costume Design, Screen and Stage, Cultural Shifts
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Citizenship Question and the Hope of Ethnic Nationalities in Nigeria: A Reading of Emmy Idegus’ Beloved Odolu Kingdom and Kwarapchan
(International Journal of Contemporary Research in Humanities, 2024) Iheanacho. C. IWEHA; Hussaini U. Tsaku, PhD
This paper explores the complex relationship between citizenship and ethnic nationalities in Nigeria. It aims to shed light on the ongoing debate surrounding citizenship rights and ethnic representation in Nigeria. It analyses two contemporary Nigerian play texts Beloved Odolu Kingdom and Kwarapchan written by Emmy Idegu. The paper investigates how playwrights wrestle with issues of belonging, identity, and marginalisation within the context of a nation grappling with its own definition of citizenship. In the paper, the authors try to examine how these plays depict the experiences of ethnic minorities and their struggles for recognition within the Nigerian state. Through thematic analysis and key informant interview, the writers weave ideas that explore the tensions that are evident between national identity and ethnic affiliation as well as showcasing the ideas of the playwright in shaping the discourses on nationhood as they are constituted in the plays. The paper is anchored on the theory of humanism which celebrates the instrumentality of the human race in providing equilibrium to the planet, promoting concern for the welfare of human beings and encouraging citizens to do what is within their power to preserve life instead of destroying it. Ultimately, the research seeks to demonstrate the power of theatre as a tool for social commentary and a platform for national conversation. The paper concludes that true citizenship can be achieved in Nigeria when primordial sentiment and suspicions are jettisoned by patriotic leaders and followers. Keywords: Citizenship, Ethnic Nationalities, Drama, Playwright and Rights