Faculty of Arts

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Browsing Faculty of Arts by Author "Adebayo John BADEJI"

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    Exploring the Process of Production Design, Aesthetics, and Techno-scenery in Selected Nollywood Films
    (Lead City University, Ibadan, 2025-12) Adebayo John BADEJI
    This study examined the intersection of technology, aesthetics, and techno-scenery in the production design of contemporary Nollywood films, with a specific focus on JagunJagun (The Warrior) by Adebayo Tijani and Tope Adebayo, as well as House of Ga’a by Bolanle Austen-Peters. The study aims to investigate how technological advancements contribute to enhancing narrative depth, cultural authenticity, and visual appeal in Nigerian cinema. By analysing the films from an innovative perspective, this study examines the synergy between traditional African storytelling and modern technological tools, highlighting how these elements shape the aesthetic quality of contemporary Nollywood films. Central to this study is the introduction of the concept of Techno-scenery, a term used to describe the integration of digital tools such as Computer-Generated Imagery (CGI), Computer-Aided Design (CAD), and Visual Effects (VFX) with physical design elements to create cinematic environments. This highlights how Nollywood films utilise technology to redefine African cinematic storytelling by integrating cultural narratives with technological advancements. The research employed an analytical framework grounded in Marshall McLuhan’s theory of technological determinism and Litan Banik’s Standard for evaluating the effects of technology on film production. McLuhan’s concept posits that media technologies have a significant influence on societal structures and forms of artistic expression. At the same time, Banik’s Standard offers a criterion which are: Digital Cinematography, Visual Effects, Animation, Post-Production, and Distribution, for assessing the transformative role of technology in visual storytelling. The study recommends enhancing digital infrastructure within Nollywood, along with providing specialised training for film practitioners. Such measures would enable the continued integration of technological innovations, ensuring that Nollywood remains competitive in the global cinematic landscape. The study advocates for more interdisciplinary collaborations that unite the fields of culture, technology, and film production. The study revealed that both JagunJagun (The Warrior) and House of Ga’a successfully employed Techno-scenery to merge traditional Yoruba beliefs with advanced digital techniques, enhancing the films' realism and emotional impact. In JagunJagun (The Warrior), the use of VFX-driven supernatural sequences played a crucial role in intensifying the dramatic effect, allowing for dynamic storytelling. Additionally, House of Ga’a leverages advanced technological tools to prioritise historical accuracy, rendering the film's representation of African heritage visually compelling and historically grounded. In both cases, the collaboration between production designers, VFX specialists, and cultural consultants proves to be a key factor in achieving these sophisticated visual outcomes.This research contributes to the broader discourse on global film production design by showcasing Nollywood’s potential for visual innovation. It offers a framework for understanding how African cinema deploys space, symbols, and spectacle through a fusion of culturally informed storytelling and technological advancements. The study highlights Nollywood's capacity to lead in the areaof cinematic production, establishing itself as a global force in the evolution of visual storytelling. Keywords: Techno-scenery, Nollywood, Production Design, House of Ga’a, JagunJagun (The Warrior) Word Count: 450